When I have the fortune of chancing upon very innovative artists such as Bibio, I am thankful for the indie music blogging world in which we live.
Bibio is the recording moniker for England music producer, Stephen Wilkinson. Bibio's fifth album, Ambivalence Avenue, was released on June 22nd. So very idiosyncratic and diverse, Bibio's sound defies classification. The best way to describe it from what I have heard is a style that slants towards a fusion of electronic and folk music. Although you can find Bibio listed under the genre folktronica in Wikipedia, I'm not a huge fan of classifying, er, pigeon-holing artists. Regardless of what you call it, the music being generated by Bibio is impressive. One of Bibio's central influences is experimental electronica band, Boards of Canada. If you are familiar with Boards of Canada, you will certainly hear similarities in the sounds Bibio incorporates. But further than just this resemblance, Bibio has developed a distinct style by combining field recordings, found sounds, electronically tailored guitar melodies, and monotonous synthesizer sounds. He also does sing and it fits wonderfully with the nature of this album.
Bibio's love for sound and noise led him to the study of Sonic Arts at the University of London and ultimately to an unparalleled way of shaping music. Do not miss Ambivalence Avenue!
The first song on the album is title track, "Ambivalence Avenue". Upon first listen I was immediately engaged, and the momentum carries through the rest of this exceptional album.
Bibio - Ambivalence Avenue
Sunday, July 5, 2009
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